• The History of Korean Western Theatre - Jaha Koo / CAMPO

    © Leontien Allemeersch

  • The History of Korean Western Theatre - Jaha Koo / CAMPO

    © Leontien Allemeersch

  • The History of Korean Western Theatre - Jaha Koo / CAMPO

    © Leontien Allemeersch

  • The History of Korean Western Theatre - Jaha Koo / CAMPO

    © Leontien Allemeersch

  • © Leontien Allemeersch

  • © Leontien Allemeersch

The History of Korean Western Theatre

Jaha Koo / CAMPO

 


Celebrating the centenary of Korean theatre in 2008, the South Korean theatre maker / composer Jaha Koo realized that there is actually no space for Korean theatre tradition: what is regarded as Korean theatre is largely determined by the Western canon. But why are the South Koreans so proud of this Western interpretation? And why does everyone keep referring to Shakespeare? It raises questions about tradition, self-censorship and authenticity.

In this final piece of his Hamartia Trilogy, Jaha Koo resolutely focuses on the future. Meticulously, he exposes the tragic impact of the past on our lives, unveiling the small cracks in modern Confucianism - an ideology that continues to define the moral system, way of life and social relations between generations in South Korea. With a new generation of South Koreans in mind, he attempts to break with a tradition full of self-censorship and keeping up appearances. Because only when based on an authentic version of history, he can pass on a future to the next generation.

In Korean, with English and Dutch subtitles 
Duration: 60 minutes

 

The Hamartia Trilogy  

The History of Korean Western Theatre forms the last part of Jaha Koo's Hamartia Trilogy. Together with Lolling and Rolling and Cuckoo, the trilogy consists of three intelligent documentary theatre performances, each telling a story about 'hamartia', Greek for 'tragic error'. The common thread here is the far-reaching imperialism of the past and present, and its sometimes unexpected personal impact. Each time, Jaha Koo interweaves his personal stories with historical, political and sociological facts. Often themes that involve a clash of Eastern and Western culture: from the clipping of tongues to make it in the West, to the heavy personal toll of Western interference in the macroeconomic sphere.  

 

press

With an amazing talent Jaha Koo bridges the richness of Eastern cultural traditions with the use of technology and contemporary art to anchor us in the present. To make us reflect on our collective future.

La Presse - Luc Boulanger,

Coming from a corner of the world caught between frightening totalitarianism and savage capitalism, Jaha Koo's reflections are patently relevant.

JEU Revue de théâtre - Dominique Denis,

Jaha Koo's unique style moves, invigorates and, most importantly, makes you think.

Theatre Quebec - Daphné Bathalon,

While I learnt a great deal from the show, it is anything but blandly educational, thanks to its freewheeling blend of autobiography and history, and pop and folk culture.

British Theatre Guide - Mark Smith,

Il fait une démonstration magistrale de la capacité du théâtre contemporain à jouer de tous les langages, – textuels, sonores et visuels – pour circonscrire un impossible : donner à sentir le poids du silence.

Mouvement.fr - Aïnhoa Jean-Calmettes,

Modernised magic, absurd seriousness, moving science – The History of Korean Western Theatre is founded on all these contrasts. This is the paradoxical theatre idiom that makes Jaha Koo an utterly unique artist.

e-tcetera.be / Evelyne Coussens,
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