Haribo Kimchi
Jaha Koo / CAMPO
The surprising flavor of seaweed soup, the sharp sound of a knife slicing cucumber, the hiss and sizzle of mushrooms on a scorching fire.
In Haribo Kimchi, we find ourselves in a pojangmacha, one of the typical late-night snack bars found on the streets of South Korea. There, we meet three characters—a snail, a gummy bear, and an eel—who take us on a culinary journey, exploring food as shelter for those dislocated from their culture. In a series of intimate, absurdist anecdotes, they recount the evolution of kimchi culture, the bitter pain of unadulterated racism, the shame of trying to blend in and the deep umami taste of home.
After his Hamartia Trilogy (2021), which delved into the far-reaching imperialism in East Asia, South Korean theatre maker and composer Jaha Koo returns with his newest creation. In a hybrid style that combines music, cutting-edge video, and robotic performers, the artist reflects on cultural assimilation with all its conflicts and paradoxes. In an exceptional performance that plays with all the senses, he serves up personal stories marinated in sweet-and-sour melancholy.
Duration: 70 min
English and Korean (with Dutch surtitles)
press
Haribo kimchi is a performance as sophisticated as it is seasoned about living in a country that is not your own. Not only love, melancholy also goes through the stomach.
A performance that inimitably blends Korean cooking with personal stories and reflections on comfort food, identity and migration.
A diaspora from an upbeat, culinary perspective
Jaha Koo cleverly mixes his childhood memories with Korean cooking
After this performance, kimchi won't taste the same again
credits
concept, text, direction, music, sound & video Jaha Koo performance Gona, Haribo, Eel, Jaha Koo & two guests dramaturgy Dries Douibi scenography, research collaboration & media operation Eunkyung Jeong artistic advice Pol Heyvaert technical coordination Korneel Coessens technique Bart Huybrechts, Babette Poncelet & Jasse Vergauwe production coordination Wim Clapdorp English proofreading Jason Wrubell snail animation Vincent Lynen production CAMPO coproduction Kunstenfestivaldesarts (Brussels), Rideau de Bruxelles, Theater Utrecht, SPRING festival (Utrecht), Festival d’Automne à Paris, Théâtre de la Bastille (Paris), Tangente St. Pölten – Festival für Gegenwartskultur, &Espoo theatre (Espoo), International Summer Festival Kampnagel (Hamburg), Sophiensaele (Berlin), Meet You Festival (Valladolid), Bunker (Ljubljana), National Theatre and Concert Hall Taipei, The Divine Comedy International Theater Festival / Teatr Łaźnia Nowa (Kraków) & Perpodium with the support of the taxshelter of the Belgian Federal Government via Cronos Invest & the Flemish Government
The prototype of the eel was developed as part of Innovation:Lab's funnel in co-production with Theater Utrecht and creative technologists Adriaan Wormgoor & Willem Vooijs.