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© Martin Argyroglo
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© Martin Argyroglo
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© Phile Deprez
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© Martin Argyroglo
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© Martin Argyroglo
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© Phile Deprez
Next Day
Philippe Quesne / CAMPO
13 small individuals, all to a certain degree dancer, artist and musician, form a bizarre community. Are they abandoned? Are they lost? Today they’re innocent & carefree, but who will they become in the society we’re preparing them for? And what if we would consider them – as they proposed themselves to Philippe Quesne during the rehearsals – as trainee-superhero’s, gathered in an institute to save the world?
Paris-based director Philippe Quesne compares his work to a series of entomological studies in which we might watch human beings evolving, as if under a microscope. In Next Day, as in his previous plays as l'Effet de Serge, La Mélancolie des Dragons, Big Bang & Swamp Club, Quesne will again take us to a human microcosm with uncertain boundaries, mixing dream and reality, music and languages, loneliness and the group. Only this time with thirteen kids on stage.
The theatre of Philippe Quesne is grafted on common rituals of contemporary life, altering these on stage into small ceremonies, both derisory and playful, but extremely symptomatic of the shortcomings of our society. The stage is a laboratory, a "vivarium space", where extreme situations of the ordinary take place. Philippe Quesne’s work has the capacity to catapult us into another world, developing simple actions using everyday objects, used in ways that are clearly outside their - and our comfort zone.
In response to the request of arts centre CAMPO (Ghent, Belgium) to create a more visual and performative answer the series of theatrical works with children, Philippe Quesne creates Next Day, a piece with 13 kids between 8 & 11 years old. Remember the 90’s with Moeder & Kind, Bernadetje & Allemaal Indiaan by Alain Platel & Arne Sierens and the more recent trilogy üBUNG by Josse De Pauw, That Night Follows Day by Tim Etchells & Before Your Very Eyes by Gob Squad.
press
Next Day proves to be a remarkable exercise in letting go, in having absolute confidence in the natural spontaneity of the moment.
Together with the children, the French director Quesne conjures up a small, isolated community in which the most wonderful – and most fragile – ideas blossom from the most basic of raw materials.
This is certainly not your usual theatre experience. Sometimes it has the quality of watching your own kids in a nativity play, but there is also a chilling other level happening here.
L'expérience inédite pour ce metteur en scène atypique venu des arts plastiques et qui conseile aux plus décontenancés de lire ses spectacles comme des paysages - ce qu'ils sont effectivement.
Composée de séquences faussement candides, Next Day bouleverse notre regard sur ces figures innocentes qui célèbrent autant les armes à feux que les produits d’entretiens.
Next day s’avère être un exceptionnel exercice où l’on se lâche à fond en faisant aveuglément confiance au naturel de l’instant présent.
Avec ces enfants, le metteur en scène français Quesne crée une petite communauté isolée. On assiste à l’éclosion des idées les plus merveilleuses et les plus fragiles présentées avec peu de moyens.
Quesne feiert das Kindsein, die Phantasie, das Spielen.
Funktioniert das: die Wahrheit – oder was man dafür hält – durch Kindermund und -aktion kundtun zu lassen?
credits
by Philippe Quesne with Marthe Bollaert, Tijl De Bleecker, Mona De Broe, Sven Delbaer, Fons Dhaenens, Lisa Gythiel, Lars Nevejans, Flo Pauwels, Sien Tillmans, Camiel Vanden Eynde, Lizzi Van de Vyver, Ona-Lisa Van Haver & Jaco Win Mei Van Robaeys artistic collaborators Pol Heyvaert & Léo Gobin production assistent Phéline Thierens child care Ted Oonk technical director Philippe Digneffe technical Bart Huybrechts production CAMPO co-production Theater der Welt 2014 Mannheim, Festival d’Automne Paris / Théâtre Nanterre-Amandiers, LIFT London, La Bâtie - Festival de Genève with the support of Noorderzon Performing Arts Festival Groningen & HAU Hebbel am Ufer Berlijn